Online home of trombonist, composer, and educator Michael Dease

Reaching out January 2018

Trombonist Michael Dease brings together a new group of hands to help engage his audience by “Reaching Out.” Assembling a diverse group of voices, both young and old, Dease succeeds in creating an artful conglomeration of supporting talent featuring saxophonists Walt Weiskopf and Ralph Bowen, vibraphonist Behn Gillece, bassist Peter Brendler, pianist Luther Allison, and drummer Zach Adleman. Dease’s skillful band leading keeps the music steadily straight forward as the group undertakes an exciting program of new compositions and intelligent arrangements of some new and familiar melodies. With yet another enjoyably swinging affair firmly grounded in both tradition and exploration from start to finish, Dease continues reaching ever higher for the blue skies of a brighter tomorrow. Listeners will certainly agree that Dease’s new album succeeds in delivering a compelling and engaging message that encourages everyone to continue “Reaching Out.” 

WBGO Newark, NJ Jazz Station review by Gary Walker

With his new album, Reaching Out, trombonist Michael Dease clearly demonstrates why he’s met the high level of musicality demanded by discerning bandleaders like Christian McBride and Jimmy Heath.

With this album Dease salutes the genius of legendary pianists Cedar Walton and Kenny Drew, as well as his former trombone teachers Conrad Herwig and Steve Turre. 

Reaching Out also reaches back to a “Deaseified” portrait of pop music of his era. Add an original or two — played by a band with  saxophonists Ralph Bowen and Walt Weiskopf, vibraphonist Behn Gillece, pianist Luther Allison, bassist Peter Bendler and drummer Zach Adleman — and Reaching Out shapes up as a collection of swinging tunes and sharp arrangements. As the title suggests, it approaches the tradition in a spirit of urgent exploration. review by Mark Corroto 4 out of 5 stars

Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's just that we need more musicians like Michael Dease who, to quote Art Blakey, play jazz that "washes away the dust of everyday life." With Reaching Out, his fifth for Posi-Tone Records (a label whose mission is to throw accelerant on that flame) he doubles down on the joy of music making. 

He seems to always find kindred souls who share in his vision, as shown in previous recordings with the veterans Renee Rosnes, Lewis Nash, Steve Wilson, Christian McBride, and Rodney Whitaker. Here, he recruits two giants of the saxophone Ralph Bowen and Walt Weiskopf to interact with some younger talent—players that have the makings of true believers. 

What we mean by that is Dease prioritizes the happiness in his jazz. Take the opener, Cedar Walton's "Something In Common," or Steve Turre's "Blackfoot." Both are pieces that are overflowing with a joyful swing. The latter composition, modeled after "Cherokee," is delivered at an auctioneer's hyperspeed with Bowen and Dease chasing drummer Zach Adleman's turbocharged tempo. There is a return to the hipness factor in this music. Dease's original, "The Chameleon Eye," grabs memories of Lee Morgan's funkiness and injects some Herbie Hancock-like rhythm-intensive lines. The composition features the young and talented vibraphonist Behn Gillece (check out his Walk Of Fire (2017)). 

What makes Dease stand out is his love of melody and ability to craft arrangements to accentuate such. Perfect examples are the three cover tunes, Babyface's "Water Runs Dry," Paul and Linda McCartney's "Live And Let Die," and the 1990s hair metal band Extreme's "More Than Words." McCartney's title track to the James Bond movie of the same name is given all of the dramatic effect of the original, from it's most gentle beginnings to the soulful dramatics and swinging interludes. All of the covers here could, with lesser arrangements, become schmaltzy or sentimental. But like the masters, Coltrane's take on "My Favorite Things" or Miles' "Surrey With the Fringe On Top," Dease champions familiar music and makes it new again. 

Track Listing: Something In Common; Live And Let Die; Tipping Point; More Than Words; Double Luminosity; The Takeover; Ballade; The Chameleon Eye; Blackfoot; Water Runs Dry.

Personnel: Michael Dease: trombone; Ralph Bowen: tenor saxophone; Walt Weiskopf; tenor saxophone, alto saxophone; Behn Gillece: vibraphone; Luther Allison: piano; Peter Brendler: bass; Zach Adleman: drums.

Michael Dease Copyright 2016